Edmund S. Morgan, American Slavery American Freedom: The Ordeal of Colonial Virgina (New York: W.W. Norton, 1975).
Philip D. Morgan, Slave Counterpoint: Black Culture in the Eighteenth Century Chesapeake and Lowcountry (Chapel Hill, NC: The University of North Carolina Press, 1998).
Rhys Isaac, The Transformation of Virginia 1740-1790 (New York: W.W. Norton, 1982).
The American historical profession experienced something of a revolution in the 1960s. As historians gradually came to a general consensus that historical scholarship should be more inclusive of Indians, blacks, and women, they also disagreed sharply on the form of that inclusion. For some, it was a way to “speak truth to power”; for others, a way to reconstruct a more precise picture of the past. Many historians of these marginalized groups at first depicted their subjects as victims of brutal oppression, then corrected that depiction by attempting to show that the marginalized had “agency”: control over their lives and their oppressors.
Historians soon encountered a dilemma. Can the powerless wield power? Do structures – major events and forces – or struggles – everyday lives of ordinary people – deserve the most attention? How does one write history that avoids what Peter Novick calls “overdrawn portrayals of lower-class militancy,” on one hand, and studies of the “minutiae of everyday underclass existence” on the other?
Take the case of colonial Virginia. Clearly the history of the region cannot be told without reference to slavery, the institution described as the “central paradox” and “great transforming circumstance” of American history. But what of slaves themselves? Should they be studied for their own sake or for the impact they had on the broader society? This paper will discuss how three leading historians of early America use African-Americans in their narratives of colonial Virginia and, in turn, what African-Americans themselves contribute to the story. Each is a masterpiece, and each author’s approach makes a vital contribution to the historiography – Philip Morgan’s comprehensiveness, Edmund Morgan’s emphasis on class conflict, and Rhys Isaac’s imaginative methodology – but ultimately Isaac’s study shows the most promise. Slaves in his account present themselves as human beings with crucial connections to the rest of society.